Unico CL6
Leading-edge technology, elegance and sound quality in a perfect blend, reflecting all Viscount’s long-established commitment to the professional organist and keen amateur player.
product brochuredownload pdf
Leading-edge technology, elegance and sound quality in a perfect blend, reflecting all Viscount’s long-established commitment to the professional organist and keen amateur player.
product brochureCL6 is a compact two-manual organ with 32-notes pedalboard, 35 registers, and a real-wood console cabinet (or laminate in the case of CLV6) with roll-top key cover. Ideal for students or a small to medium-sized churches, it has a huge library of internal registers through which the user can easily customize the audio of his instrument.
Developed with the award-winning and patented Physis ® technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, CL6 is capable of generating the highest-fidelity, most authentic church organ sound.
Parameter settings are easy to access, modify and store through the graphic display on the front panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.
Tecnology | PHYSISᆴ PHYSICAL MODELLING |
---|---|
Manuals | 2 x 61 keys "Tracker Action" keyboards, with velocity control for MIDI and Orchestra sections |
Pedalboard | 32 keys straight, straight concave or radiating concave AGO |
Stop Controls | Tilt Tabs |
Internal Amplification | 3 Channels, 5 Speakers, 220 W Total (2 x 60 Watt + 1 x 100 Watt) |
Expression Pedals | 1 |
Crescendo Pedal | Yes |
Organ Stops | 35 |
---|---|
Pedal | 10 |
Great | 12 |
Swell | 13 |
Couplers | 3 |
Tremulants | 2, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B |
Total Organ Voices | > 460 |
Total Orchestral Voices | > 100 |
Styles | 4 Preset+ 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive |
Temperaments | 17 |
Ensemble | Adjustable |
Air Supply Emulator | Adjustable |
General Pistons | 8 |
---|---|
Total General Memories | 128: 16*8 Banks |
Piston Sequencer | Previous, Next, Memory Bank-, Memory Bank+ |
Return to Handset Registration | Yes |
Tutti | Programmable |
Transposer | -6/+5 semitones |
---|---|
Automatic Pedal | Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler |
Enclosed | Yes, Programmable for each section |
Midi Trasmission Enable | Yes, Independent for each Organ Section activable with tabs |
Toe Pistons | 4 |
Reverb | 8 different venues emulator |
Internal Amp EQ | 5 bands digital Graphic EQ |
MIDI Sequencer | Interactive sequencer with Overdubbing function |
Remote Control | Optional |
Keyboard Inversion | Yes |
Organ Setup lock | With Password |
ON/OFF switch | Switch |
Line Outputs | 4+1 |
---|---|
Output Volume Control | Adjustable, for each output |
Voices Output Routing | Programmable for each voices |
Output EQ | 5 bands digital Graphic EQ for each output |
MIDI Interface | In, Out and Thru |
---|---|
Stereo Headphone Output | Yes |
Stereo Aux Input | Yes |
Mic Input | With rotative Gain Control |
USB for Pen Drive | Yes |
USB for PC | Yes |
Cabinet | Wooden Moldings |
---|---|
Music Rack | Wooden lighted |
Rolltop | Wooden with Key lock |
Bench | With Music Storage shelf |
Dimensions (WxHxD) | cm 145,8 x 114,5 x 111,7 - 57,40" x 45,07" x 43,97" |
Dimensions without pedalboard (WxHxD) | cm 145,8 x 114,5 x 66,5 - 57.40" x 45.07" x 26.18" |
Colours and Finishes | Light oak real wood veneer, Dark oak real wood veneer |
Weight | Kg 139 / Lbs 306 |
Interface The knobs, tabs, pistons and display provide super efficient control of the entire instrument. The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the centre of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips. |
Keyboard “Tracker Touch” style keyboard Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect. |
SOUND GENERATION Powered by Physis ® Physis® Physical modelling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses Physis® technology – which builds sound through modeling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modelling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having its own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modelling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’! |
Connections Complete Connections A complete selection of external connections is smartly situtated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there are a microphone with gain control, 4 external multiple outs + Sub – with the option to expand these to 12+1(Sub). There are also USB host and Device connections. For the USB Host connection, it is possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spatial disposition – and many other parameters. |
Pedals 1 expression pedal and Crescendo pedal Expression pedal provides a fluid and precise movement – allowing complete control of the volume for Manual II, and CRESCENDO – programmable up to 16 levels. |
“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com
Compatibility:
Editor Version | O.S. Version |
1.7.1 | 1.6.0 – 1.12.3 |
1.8.1 | 1.13.0 – 1.13.3 |
1.9.0 | 1.13.4 |
1.10.1 | 1.14.0 – 1.14.5 |
1.10.2 | 1.14.6– 1.14.15 |
1.11.0 | 1.14.16 – and above |
O.S. Current Release: 1.14.18
Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it
Notice: After the .ZIP file has been downloaded, extract the update .PHY file and copy it to the main folder (root) of a USB flash drive.
Pedal
Contra Violon 32′
Prinzipalbass 16′
Subbass 16′
Violone 16′
Oktavbass 8′
Gedackt 8′
Choralbass 4′
Contra Bombarde 32′
Posaune 16′
Trompette 8′
Coupler I/P
Coupler II/P
Manual I
Bourdon 16′
Prinzipal 8′
Hohlflöte 8′
Unda Maris 8′
Oktave 4′
Spitzflöte 4′
Superoktave 2′
Kornett IV
Mixtur V
Contra Trompete 16′
Trompete 8′
Krummhorn 8′
Tremulant
Coupler II/I
Manual II
Rohrgedackt 8′
Viola di Gamba 8′
Vox Celeste 8′
Prinzipal 4′
Rohrflöte 4′
Nasard 2 2/3′
Blockflöte 2′
Terz 1 3/5′
Scharf III
Fagott 16′
Oboe 8′
Vox Humana 8′
Clairon 4′
Tremulant
UNICO CL6 EU STANDARD – Alternative Voices.pdf
Pedale
Contra Basso 16’
Bordone 16’
Violone 16’
Ottava 8’
Bordone 8’
Basso Corale 4’
Ripieno 4f.
Trombone 16’
Tromba 8’
Clarone 4’
Violoncello
Unione I/P
Unione II/P
Grand’organo
Principale 16’
Principale 8’
Flauto Aperto 8’
Ottava 4’
Flauto a Cuspide 4’
XII 2 2/3’
XV 2’
Ripieno 4f.
Cornetto 3f.
Voce Umana 8’
Tromba 8’
Cromorno 8’
Clavicembalo
Tremolo
Unione II/I
Recitativo
Principale Violino 8’
Bordone 8’
Gamba 8’
Principalino 4’
Flauto a Camino 4’
Nazardo 2 2/3’
Flautino 2’
Decimino 1 3/5’
Cimbalo 3f.
Voce Celeste 8’
Fagotto 16’
Tromba Armonica 8’
Oboe 8’
Campane Tubolari
Tremolo
UNICO CL6 IT STANDARD – Alternative Voices.pdf
Pédale
Contra Bourdon 32’
Flûte ouverte 16’
Soubasse 16’
Flûte 8’
Flûte 4’
Flûte 2’
Contra Fagotto 32’
Bombarde 16’
Trompette 8’
Clairon 4’
Accoupl. I/P
Accoupl. II/P
Grand Orgue
Montre 16’
Montre 8’
Flûte Harmonique 8’
Bourdon 8’
Prestant 4’
Doublette 2’
Piccolo 1’
Cornet II-V
Fourniture IV
Ranquette 16’
Trompette 8’
Cromorne 8’
Tremblant
Accoupl. II/I
Récit
Flûte à Cheminée 8’
Viole de Gambe 8’
Voix Céleste 8’
Flûte à fuseau 4’
Nasard 2 2/3’
Flûte conique 2’
Tierce 1 3/5’
Larigot 1 1/3’
Plein Jeu harmonique III-VI
Bombarde 16’
Trompette Harmonique 8’
Basson Hautbois 8’
Voix Humaine 8’
Tremblant
UNICO CL6 FR STANDARD – Alternative Voices.pdf
Pedal
Untersatz 32’
Prinzipalbass 16’
Kontrabass 16’
Subbass 16’
Oktavbass 8’
Gemshorn 8’
Choralbass 4’
Mixtur IV
Posaune 16’
Trompete 8’
Koppel Hw/Ped
Koppel Sw/Ped
Hauptwerk
Gemshorn 16’
Prinzipal 8’
Holzflöte 8’
Salizional 8’
Oktave 4’
Querflöte 4’
Quinte 2 2/3
Superoktave 2’
Kornett V
Mixtur V
Trompete 8’
Clairon 4’
Tremulant
Koppel Sw/Hw
Schwellwerk
Flötenprinzipal 8’
Gedackt 8′
Gamba 8’
Vox Coelestis 8’
Weitoktave 4’
Rohrflöte 4’
Quintflöte 2 2/3’
Waldflöte 2’
Terzflöte 1 3/5’
Scharf IV
Fagott 16’
Trompete 8′
Oboe 8’’
Tremulant
UNICO CL6 DE STANDARD – Alternative Voices.pdf
Pedaal
Contra Bourdon 32′
Prestant 16’
Subbass 16’
Prestant 8’
Gedekt 8’
Koraalbas 4’
Ruispijp III
Bombarde 32’
Bazuin 16’
Trompet 8′
Koppel Hw/Ped
Koppel Sw/Ped
Hoofdtwerk
Prestant 16′
Prestant 8′
Roerfluit 8′
Quintadeen 8′
Octaaf 4′
Quint 2 2/3′
Octaaf 2′
Spitsfluit 2′
Cornet V
Mixtuur IV
Trompet 16’
Trompet 8’
Tremulant
Koppel Sw/Hw
Zwelwerk
Bourdon 16′
Holpijp 8′
Viola di Gamba 8′
Vox Celeste 8′
Octaaf 4′
Koppelfluit 4′
Quintfluit 2 2/3′
Nachthoorn 2′
Tets 1 3/5’
Scherp III
Basson 16’
Dulciaan 8′
Vox Humana 8’
Tremulant
UNICO CL6 NL STANDARD – Alternative Voices.pdf